Jon Statham was raised on music.

His father worked at country music station WQIX, interviewing country music stars such as Loretta Lynn and Tanya Tucker., and one time during a live music broadcast, was visited by members of Hank Williams band, who stopped in to play after hearing the broadcast.

One knew when they entered the Statham house, that this family treasured music. Whether it was dad playing guitar and singing country and folk songs from the 30's and 40's, to mom and the kids assigning vocal parts to an Irish ballad for church - there just always seemed to be music.

Jon has honed his singing, guitar playing and songwriting into a style that honors the classics, as well as offering a new voice that forwards the tradition of great acoustic/country music.

Well, after living in both New York and Los Angeles, playing and singing lots of styles of music, Jon has come to settle where he always belonged - in a songwriter's town called Nashville, Tennessee.

Comments

Hi,

I came across your work on Broadjam and spent some time listening to "Make My Way Inside", there's a level of artistry and direction in your sound that's not easy to come by.

I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space.

In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material.

My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities.

I'm selective about who I work with, but I believe your sound could translate well in that space.

Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment?

Best regards,
Rebecca
Seo Specialist and Sync Licensing Consultant



Author
Steven B
3 days ago to Jon Statham

Hi, I checked out your music and you've got solid potential for sync licensing.
One thing I've noticed working with artists is that even great tracks often get overlooked due to small but critical things like metadata, structure, or licensing readiness.
Do you currently prepare your releases with sync opportunities in mind, or are you mainly focused on streaming and promotion?
Happy to share some insights, you can reply here or email me at belovedsteve760@gmail.com

Best regards,
Steven
Music SEO & Visibility Specialist



Author
Wura
7 days ago to Jon Statham

Hi Jon Statham,

I've been reviewing a few catalogs on Broadjam, and your name came up in that process.

I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.

I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness.

Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



Clean Clean

Clean Clean

Artist Name
00:00 / 00:00