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Hey Ken, Frankly, your sound already has a strong identity, which is rare. But what usually holds artists back at that point isn't the music, it's how everything around it is positioned; branding, PR narrative, and how it's introduced to the right spaces (film, licensing, etc.). I work with creatives on that side, making sure the music actually opens doors, not just streams. Have you started exploring that yet?
Hi Ken Ashby, I've been reviewing a few catalogs on Broadjam, and your name came up in that process. I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements. I'd like to take one of your tracks through a Sync-Ready Audit. That means looking beyond the music itself and into the details that supervisors quietly filter for, metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready. If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com Best, Wura Digital Services Sync Strategy & Catalog Development
I am interested, should I send a track link to your email wuradigitals@gmail.com, or here on Broadjam?
Thank you for contacting me Ken. I have recieved your mail and I'm attending to it.
Hi Doug, thank you for pitching "She's Changed." Here is the SoundCloud link: https://on.soundcloud.com/i7bYG4jIF AowBUp7OP Cheers, Ken