Da Grimm One

Da Grimm One









Sounds Like: Ll Cool J, Nas

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Netflix Movie Placement

I have been placed on the soundtrack for upcoming movie “Here Comes The Flood” which is a Netflix original feature fil

Da Grimm One Bio

Theo Royle aka Da Grimm One was born at Walsgrave Hospital on July 28th of the year 1988 to bi-racial mother Donna Royle and black father Keith Bryan. He is the 2nd of 5 children

Da Grimm One grew up round Pridmore a part of the city where money was short and crime was high, although his mother always tried her best to make sure that him and his older brother was always dressed well. As a youth as his dad was more of a come and go dad (not really helping his mum raise the kids) so his Aunt and Nan would always help out his mother in raising him and his brother in the earlier years.

He then moved out of Pridmore and went uptown to a neighbourhood called Holbrooks aka Holbronx at the age of 8 when his sister was born, Although he still used to go Pridmore to visit his Nan often and his best friend Midge and he would spend the whole summer down there as he was very close to his Nan until the she died on 12th September 1999 which then took a massive change in his life. As a child he was far from shy as he'd talk to anyone who would talk to him but was also comically violent due to his very high interest in wrestling he used to think he was Hulk Hogan. His favourite cartoons growing up was X-Men, Spiderman, Justice League, Dragonball Z and Samurai Jack, he also had a high interest on hood movies and black comedy movies.

Music had always been a strong part of his life growing up from listening to Dancehall Artists such as Shabba Ranks, Chaka Demus & Pliers, Bounty Killer & Mad Cobra to Hip Hop Artists like Biggie Smalls, Mase, LL Cool J, Naughty By Nature, 2pac, Nas, Snoop Dogg, Busta Rhymes and The Fugees.

After being influenced by some many different artists he decided he wanted to learn how to play an instrument and joined the school steel band and got the chance twice to perform in front of the whole school. He also joined the school choir and got the opportunity to perform at the city cathedral.

Not all too long after that things took a turn for the worst and he became involved in a gang within the school which lead to him being dropped from the school choir and the police in to have a strong word with all the gangs in the school hall.

It was during school when music took a bigger part of his life in which he wrote his first two songs at the age of 13 "Too Hot Too Handle" and "Too Cold Too Hold" although he never got around to recording them songs he then proceeded to continue writing songs as he felt a passion for this.

Although he tried many times to leave the bad side it just kept calling him back and at the age of 15 is the first time in which he found himself in cuffs due to him and a friend got caught robbing HMV and was found to have over £500 worth of products whilst in possession of offensive weapons a crowbar and a knife

By this time his mum had taken a lot from his behaviour over the years and when he was 16 she was forced to kick him out due to the stress that he was causing so in turn he went to go live with his Aunt, for so many reasons that didn't work out so then he went back to live with his mum.

Then at the age of 19 he started selling weed and extorting dealer's out west of the city. This was something that he was doing well and enjoying it too until he was nearly killed by another drug dealer whilst in mcDonalds drive through car park, who was a friend of a dealer that he was extorting.

After that is when he decided to leave the drug scene alone and just went back to street violence. By the age of 20 he got heavy into the street life found himself involved in a lot of street violence all across the area fighting against many other crews while under the influence of booze in which he gained his name "Grimm".

At the age of 21 music then crept back into his life a friend of is who grew up in the same neighbourhood Lloyd "Bergy" Jackson gave him a link to a studio guy called Scratch Rama. After hearing a freestyle of his in the studio, Scratch then decided he wanted him to join his group The EQ'z, they were an afro based group in which combined Hip Hop and RnB with Congolese native music.

He then decided to leave The EQ'z and go alone due to physical confrontations between himself & both Scratch Rama & another member, also as he didn't like or wanna go the way that The EQ'z were going so he then decided to create his own team "DA LT's" (Dark Artz Lethal Team)

At the age of 22 Da Grimm One then attended a spiritualist and became a weekly regular as he then converted to spiritualism in which calmed him down and gave him a new outlook on life.

Comments

Author
Steven B
3 weeks ago to Da Grimm One

Hi,
I came across your track on Broadjam and I really liked the cinematic build and the production quality. Your sound already feels sync-friendly, especially for film and ads
That said, I noticed a few small but critical gaps that could be holding this track, and your catalog, back from actual placements:

~Metadata Optimization -- Your track isn't fully tagged with industry-standard mood, energy, and scene descriptors that music supervisors use when filtering thousands of tracks.
~Sync-Ready Versions -- I didn't see instrumental, clean, or alternate mixes listed -- these are often required for TV/Film licensing consideration.
~Catalog Positioning -- Your profile and releases aren't fully optimized for music discovery algorithms, which means you're likely missing passive opportunities.
The good news is, these are fixable and can significantly improve your chances of playlisting, licensing, and placements.
I help artists turn their music into "one-stop", sync-ready catalogs that are professionally structured and positioned for opportunities.

If you're open, I can run a free quick audit of your Broadjam profile and show you:

• What's missing
• What supervisors typically look for
• How your current tracks can be improved for licensing
No pressure, just useful insight.
Would you be open to a quick chat? You can reply here or email me at belovedsteve760@gmail.com

Best,
Steven
Music SEO & Visibility Specialist

1 Replies
 
Da Grimm One
3 weeks ago

Hello

Yes let's chat



Thank you for submitting your song! I've purchased it from your page and will be adding it to the Indie-Q-Radio rotation. I'm looking forward to officially introducing it to listeners during Sunday's shows at 4 PM and 8 PM (03/29/26).

Your track will remain in regular rotation in my daily mix unless I receive written notice from you requesting its removal. You can listen live here: https://live365.com/station/Indie-Q -Radio-a33517

In addition, your music will be featured on indieqradio.com and promoted through my newsletter.

3 Replies
 
Da Grimm One
4 weeks ago

Much appreciated, also thank you for the download

Toneman Productions
3 weeks ago

You're very welcome! Your song was officially introduced to our listeners today and will continue to spin in our Daily Mix, which runs 24 hours a day, 7 days a week.

I also shared your music with our audience through our platforms:
https://frankiesapphire.substack.co m/

https://indieqradio.com/

Additionally, I've added your track to two Spotify playlists to help expand your reach:
https://open.spotify.com/playlist/0 atgfqFRT2tCIvrgmkDpg2

https://open.spotify.com/playlist/0 XXT4jgVe6WvFS73L2X0x3

Please feel free to share with Indie Q Radio with your followers!

Hope this helps! I have become a fan and am confident my listeners will follow.

https://live365.com/station/Indie-Q -Radio-a33517

Da Grimm One
3 weeks ago

Thank you again

I will share your show with my friends



Hey Da Grimm,

I recently was listening to your music "Mic Messiah" on Broadjam and really enjoyed your sound, I noticed most of your sound has strong potential for licensing and wider industry exposure.
One thing I've noticed from working with independent artists is that great music alone is not enough on Broadjam. But Visibility, Accurate metadata, Targeted submissions, and external traffic all play a big role in getting noticed by music supervisors and opportunity providers.
I help artists:
Optimize their Broadjam profile for discovery
Match the right songs to the right licensing opportunities
Increase plays, reviews, and chart visibility on several streaming platform.
Drive external audience traffic to strengthen industry credibility.

My focus is simple, helping your music stand out and improving your chances of placements and real opportunities.
If you are open to it, I do be happy to take a quick look at your profile and share a few ideas you can use right away. i would welcome a brief Chat At>> Patrickumeshsocial@gmail.com

Best regards,
Patrick
Music Sync & Visibility Specialist

5 Replies
 
Da Grimm One
over 30 days ago

Hello

Ok so what are you looking to gain from this also?

That's not a bad question though.
I'm not looking to take ownership of anything or control your catalog. I run a structured service where I help independent artists position their music properly for licensing and industry opportunities.
What I gain is straightforward: I work with artists who are serious about monetizing their catalog, and they hire me to optimize, structure, and align their music for sync and visibility and a campaign to attract audience traffic to spike up streams, fan growth from several music platform

If there's no fit, there's no pressure.

From listening to "Mic Messiah," I just see potential that may not be fully positioned yet. If you're open, I can outline how I typically work and you can decide if it makes sense for where you're headed. With these, hope i answered you well?

Da Grimm One
over 30 days ago

Ok with all due respect, with me being on this platform shows that I'm serious about monetising my catalog as these songs here are not all that I have but some other have samples which will take a while to fully clear so I chose the ones that I can clear

I respect that.
Choosing records you can clear tells me you're thinking long term, not just uploading randomly. A lot of artists don't even consider the clearance side until an opportunity shows up.
And you're right, being on here does show intent. My point isn't about seriousness, it's more about positioning. There's a difference between having clearable records and having them strategically aligned for licensing traction.
Since you mentioned you have additional material beyond what's posted, that's where the real conversation usually starts.
Rather than going back and forth in the comment section, shoot me a direct message at patrickumeshsocial@gmail.com and we can talk more intentionally about where you're headed with the catalog. It'll be easier to have a focused discussion there.

Hey Da Grimm, Hope You're Doing well at you're end



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