I am the writer. I was a singer-songwriter discovered and produced by Barry White. I was director of A&R and publishing at Arista, Clive Davis was a mentor, Motown, Chappell, and Casablanca. I co-wrote a top seven-song for Oleta Adams, "Slow Motion" I can write to order. I play guitar, bass, keys, and drums. I program all parts in Logic.

Comments

Author
Timothy T. Thomas
2 weeks ago to Evan Pace

Hi Evan,

I recently came across your track "Don't Tip Toe (around my heart)" on Broadjam and really enjoyed it.

I work with independent artists to expand the reach of music that already has potential, from building stronger discovery across Spotify, YouTube, and social platforms to identifying opportunities in sync, playlists, and broader audience growth.

I noticed a few things about your music that made me think there could be some worthwhile opportunities to explore. I'd be happy to share a couple of ideas specifically around your work.

Are you open to taking a look? Reach me directly at timothytthomas86@gmail.com.

Best,
Timothy
Verified Sync & music growth specialist

4 Replies
 
Evan Pace
2 weeks ago

Hi Timothy. Thank you very much for the wonderful comments right now staying put where I am until a contract runs out. Thanks again Evan Pace.

Timothy T. Thomas
2 weeks ago

Thanks, Evan, totally understand. No need to change anything while you're under contract. Out of curiosity, what are you mainly focused on with your music right now: building more listeners, getting sync opportunities, or something else? If you have a current music page/channel you're working from, feel free to send it over too.

Evan Pace
2 weeks ago

Covers on my songs

Timothy T. Thomas
2 weeks ago

Nice, that's interesting. When you say "covers," do you mean other artists are covering your songs, or are you producing cover versions yourself? Either way, I'd be interested to hear what you're working on right now. And for song covers, I have a team of designers who can help you produce some turning designs for your cover songs and album. What do you think?



Author
Akin.
over 30 days ago to Evan Pace

Hi,
I came across your profile and I have to say your background is exceptional. Being discovered and produced by Barry White, along with your experience at Arista under Clive Davis, speaks to a level of industry depth and credibility that's rare.
Co-writing a top record like "Slow Motion" for Oleta Adams and your ability to write to order, combined with your multi-instrumental and production skills in Logic, positions you as a highly versatile and valuable creative.
With a catalog and experience like yours, there's a strong opportunity to further refine how your work is positioned and presented in today's digital space ensuring your legacy and current capabilities are fully leveraged for new opportunities and collaborations.
I work with artists and experienced professionals on music marketing, artist positioning, profile optimization, and web design helping translate that level of experience into a strong, modern, and scalable presence.
If you're open to it, I'd be glad to share a few tailored insights on how you can elevate your visibility and attract the right opportunities. Feel free to reach out to me directly at shalomakins029@gmail.com.
Best regards,
Akin.



Author
Wura
over 30 days ago to Evan Pace

Hi Evan,
I've been reviewing a few catalogs on Broadjam, and your name came up in that process.
I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.
I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



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