Piano-based, somewhat mellow, somewhat dark classical-cabaret-pop. "[Rearick] has sharper instrumental skills than most... she's not afraid to shut up and play an instrumental. The Man Who Stole Tomorrow is almost too lovely -- but her writing also displays a grim loopiness she'd do well to cultivate, and on Not Another Minute she sounds like the love child of Tori Amos and Robyn Hitchcock." -- The Chicago Reader "...perfectly organic..., a mixture of folk, classical music and experimental pop that glides smoothly into the deepest waters we know -- the mysteries of death." -- Cleveland Free Times

Dreamworld

Up The Wall

The Bucket Rider

Democracy

Star Belly